Finding A Home In Israel

When I traveled to Israel in the summer of 2005, the thing that struck me the most about the country was its diversity. Far from constituting a homogenous population, Israeli society is made up of people of various ethnicities, religions, and backgrounds. On November 9th, I had the opportunity to learn about a segment of this diverse population that I had not known about previously. I attended a screening of “The Journey of Vaan Nguyen,” a documentary film by the Israeli director Duki Dror, at Northwestern University - an event sponsored by a number of departments in the school, the Northwestern Jewish and Vietnamese student associations, and the Consulate General of Israel. It turned out to be a powerful and eye-opening experience.
“The Journey of Vaan Nguyen” follows the Nguyens, a Vietnamese family living in Israel. The parents of the family came to Israel in the 1970s, when then Prime Minister Menachem Begin welcomed a couple of hundred of refugees from the war in Vietnam into the country. The parents have five daughters, all of whom have grown up in Israel. Early on in the movie, we meet Vaan, the eldest daughter. Through her eyes, we learn of the identity struggle that she and her family face. Although Vaan is Israeli – born and raised – she and her sisters feel that they stand out in Israeli society, and that other Israelis view them as a kind of oddity.
Against this background, the movie follows Vaan’s father’s first trip back to Vietnam, where he travels in order to reclaim family land lost in the war. He is initially unsuccessful in these attempts, and Vaan comes to join and help him. Once in Vietnam, she begins to feel as if she has come home. It is a place where her family lives, where she looks like everyone else, and she describes this comfort as feeling like “being covered by a warm blanket.” When she and her father go to visit the house that once belonged to his family, she looks out over the land that her family once owned and wishes that she had been able to grow up there. Over the course of her time in Vietnam, however, her feelings shift. Other Vietnamese recognize that she is not a native, and make her feel almost as out-of-place as she had felt in Israel. The identity struggle faced by the family is further demonstrated in an emotional scene that takes place back in Israel between Vaan’s mother and two of her sisters – the mother longing to return to her homeland with her family, while her daughters resist the idea of leaving the place that they feel is their home.
The theme of identity crisis – of not feeling that one truly fits in anywhere – is a powerful one. This particular story was a fascinating example of the difficulties that arise today in many societies that are dealing with increasing diversification. The audience at the screening was able to gain further understanding of these issues through the presence of the film’s director, Duki Dror, who was present at the screening to talk about the movie and answer questions. Mr. Dror, who studied film at UCLA and Columbia College in Chicago, has directed sixteen documentaries, many of which deal with the same identity issues that arise in “The Journey of Vaan Nguyen.” He was gave the audience some background on the genesis of the film, and then allowed us to ask questions about it.
The sensitive nature of the film’s subject became apparent during this question-and-answer session. While everybody complemented Mr. Dror on the quality of the movie people differed on how the delicate situation of the Nguyens, and others like the, should be addressed. Some people expressed disbelief at the racism that the family faced – particularly referring to one scene in which the youngest daughter and her friend (who is of Middle Eastern background) are taunted by other children at a playground. Others raised the question of why, if they did not feel comfortable in Israel, the Nguyens chose to stay in the country. At a couple of points the discussion got rather heated, which only served to underline how powerful the issues raised in the movie were.
After seeing the film – which, besides the interesting content, was extremely well-made – I am anxious to see more of Mr. Dror’s work. Clearly, I still have a lot more to learn about the diversity of Israeli society.

















